Bjorn Wiinblad Eva Vase Lavender H15cm

The women were a consistent theme in the Wiinblad universe and production.

His women displayed a wide range of emotional nuances, and their eyes – specifically, their gaze – were always very special. As a rule, they looked out with openness and curiosity – but with traces of dejection, melancholy and mysticism.

The eyes meant something very special to Wiinblad, so even though he employed a large number of people, he always painted the eyes himself. The personality of the women also found expression through unusual heads and strange, sprout-like ears, short arms, small breasts and angular noses. In other words, the women were intensely ‘Wiinbladian’.

Wiinblad gave them beautiful names: Eva, Cæcilia, Bolette, Celestine, Dyveke and so on.

Wiinblad’s international greatness can be compared to that of Søren Kierkegaard or, for a more contemporary reference, the artist Olafur Eliasson – although Wiinblad never achieved the same artistic recognition in Denmark as Olafur Eliasson. He did outside Denmark, however, where he was commissioned to design complete hotel furnishing solutions in Japan, the United States and Germany, as well as a unique dinner service for the Shah of Persia.